Hugh Thomas

With the Kambule Campus online series now in full effect the word has started to spread! Recently the series was featured in the news as Atillah Springer, one of Idakeda’s directors, gave an interview to TT live online. The interview featured the back story behind the online series and its function as a vehicle of learning and culture.

 

Join us on Tuesday November 17 for our second Kambule Campus Workshop! We are pleased to have cast members Brendon Lacaille and Keon Francis lead this workshop which looks at the performance elements of Kambule – the ritual re-enactment of the 1881 Canboulay Riots.
Participation is free! Please like, share and donate to our campaign to do a digital production of Kambule for Carnival 2021 https://fundmetnt.com/campaign/kambule-campus
You can watch live on Facebook @africanlegacytt or Youtube @Kambule Movement! You can also join via Zoom to interact directly with our facilitators.

Topic: Theatre of Resistance
Time: Nov 17, 2020 05:00 PM Caracas

Join Zoom Meeting
https://us02web.zoom.us/j/85018373281?pwd=aE11ZzhmRndUc1Nod0RUc2NXS3ZjZz09

Meeting ID: 850 1837 3281
Passcode: 1881

Carnival traditions Celebrated in online workshop series ‘Kambule Campus’

Support Kambule Campus and our online production of Kambule 2021

With Carnival 2021 officially cancelled due to ongoing restrictions due to  COVID-19 Idakeda Group, producers of the annual Canboulay re-enactment are keeping the spirit of the season alive with a series of online workshops focusing on the theory and practice of Carnival’s traditional artforms.

‘Kambule has become a staple of the annual Carnival celebrations, but it’s so much more than a play,’ explains Idakeda founder and Kambule choreographer Dara Healy.

‘We have a returning cast of over 50 young people and we think it’s important for us to continue that connection regardless of whether there is an official two day observance on the streets.’

Healy says they have stayed in touch with the cast through this year of challenges for artists and cultural workers.

‘All of us felt it was important to keep going. This is the essence of what Kambule teaches us, that we must keep our traditions alive. And the digital space offers an opportunity for us to do so.’

The online workshop series began on November 14 2020 with drumming led by Kayode and Iremide Charles and continues this year starting on January 16 2021 at 5pm. There will also be workshops in dance, protection of artistic copyright, and Kalinda!

The workshops will be conducted via Facebook live and are free of charge for both local and international participants! Content will also be posted on our Youtube channel, Kambule Movement.

Preparations are also underway to re-imagine the pre-dawn production for an online broadcast.

Written by poet and playwright Eintou Springer, Kambule imagines the  conversations between the stick fighters and jammettes as they prepare to do  battle with Police Commissioner Captain Arthur Baker. Springer uses the spelling ‘Kambule’ – a Kikongo word that means procession.  This meaning became conflated with the more widely known spelling Canboulay,  which is a French patois word meaning burnt canes.

Alongside these workshops we are asking participants to support a 2021 online Carnival production of Kambule by contributing to our fund-raising campaign at https://fundmetnt.com/campaign/kambule-campus. Your support would be greatly appreciated as it  goes back into supporting Idakeda’s work using cultural practices and Carnival traditions to reach at-risk youth. It will also help us to keep the Kambule tradition alive despite these trying times.

For more information on the Kambule Campus please email idakedaconnect@gmail.com or connect with us on Facebook and YouTube.

Attillah Springer

 

Every year, Carnival lovers the world over flock to Trinidad to indulge in revelry infused with an explosion of colourful costumes, wanton revelry, soca and calypso.

While most mas fanatics are familiar with the party side of Carnival, it’s easy to overlook the multi-layered elements of the season as well as what its origins entail.

Indeed, present-day Carnival is a celebration of island pride and freedom of expression but it’s important to remember that the festivities are deeply rooted in rebellion and the re-enactment of Canboulay Riots stands as an artistic ode to our revolutionary past.

Carnival during post-Emancipation held a different meaning than its celebrations during enslavement. In the late 18th and early 19th century, the planter class and free coloureds hosted masquerade balls symbolising a “farewell to the flesh” ahead of the Catholic Lenten season. These masquerade celebrations included dressing up and mimicking each other as a form of entertainment. Following the end of slavery, however, ‘mas’ celebrations converged into that of defiance. As scholar JD Elder noted, “Canboulay is basically a ceremony symbolising cane-burning that Africans of Trinidad devised to celebrate their ‘freedom from slavery’ in 1838.”

Full article:

Buzz-Caribbean.com

Published Mar 02, 2020

 

‘I knew nothing about Kambule. But they (Idakeda) came to my school as a part of their social outreach and engagement, and during my performance in one of our school’s presentations, they saw me and said “We want you to be a part of our performance family.” I started with them when I was twelve years old. I was shocked and a little confused when I first entered the space and stayed to myself. I was unsure because I didn’t know anything about this, but they didn’t allow me to stay in the corner and pulled me centre stage.’

Read the full interview with Idakeda troupe member Kamaya Francis here:

 

January 15, 2021

Kambule Campus: Songs of Kambule

November 21, 2020

Kambule Campus in the news

November 19, 2020

Kambule Campus: African Spirituality in Trinidad Carnival

November 17, 2020

Kambule Campus: Theatre of Resistance

November 17, 2020

Kambule Campus: Theatre of Resistance

November 14, 2020

Kambule Campus Workshops

November 13, 2020

Kambule Campus Workshops

October 15, 2020
Fire blowing baby doll

Canboulay: The history of Trinidad’s carnival comes alive in an explosion of colour and revelry

September 22, 2020

Carnival in Trinidad and Tobago: Connecting the past and present through performance

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